Art Collector 50 Things Issue

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Wyndham Prize VIC
Wyndham Cultural Centre
31 Jan - 22 Mar 2026

  • 94.9 Main FM Radio Interview, 3 Feb 2025

    This hour-long interview with Martin Lee is on Still Life With Pansy, a weekly show focusing on LGBT+ artists. “One of the ongoing themes in my work has been the home… the only place me and my husband have been able to feel like our real selves is within the house, where no one else can see us.”

  • NGV Magazine, Jun 2024

    ‘…Piecing together cues from across continents, the artist challenges traditional conventions of composition to create dreamscapes that are simultaneously familiar and foreign. Offering moments of warmth, solace and retreat, the exhibition encourages us to imagine more boundless ways of wandering the world…’

  • Art Collector, Oct 2024

    ‘…Exploring themes of borderless territories and transcendence, Chin's work will intersect inverted landscapes, blending domesticity with wild landscapes evoking a sense of parallel dimensions and portals to other worlds… "With this series" says Chin, "I want to open a meditative space to channel the metaphysical."

RECENTLY

From the Ruins
This Is No Fantasy
9 Oct - 6 Nov 2025

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  • Sorrento Prize, 28 Jun - 31 Aug 2025

    This new $125,000 prize provides a life changing financial reward to one of Australia’s most celebrated artists.

  • St Columba’s Prize, 2-7 May 2025

    Kevin is shortlisted in the first year of this prize, held in the Blue Mountains of NSW.

  • Collie Art Prize WA, 2 Mar - 27 Apr 2025

    Held in Western Australia, the $50,000 Collie Art Prize is one of regional Australia’s richest awards. Taking place every two years, the exhibition theme is Identity.

Top 100 Artists 2025

Kevin has been named as one of Australia’s Hottest 100 Artists, in this annual list curated by a group of artists, academics, former gallery owners and art collectors. Showcasing artists making a significant impact and receiving critical recognition, he is alongside Reko Rennie, Louise Hearman, Gareth Sansom, and Tracey Moffatt.

Portrait: Simon Strong

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  • Len Fox Award, 27 Sep 2024 - 2 Mar 2025

    The $50,000 Len Fox Painting Award is a biennial acquisitive painting prize and is awarded to a living Australian artist to commemorate the life and work of Emanuel Phillips Fox.

  • Creative Victoria Profile 2024

    Read the interview with Sarah Haines, about how the blurring of metropolitan, regional and rural areas has inspired the exhibition at Gippsland Art Gallery.

  • Fisher's Ghost Award, 28 Oct – 8 Dec 2023

    This $50,000 award is across all artforms, with Afield shortlisted this year.

Creative Boom (UK) Jan 2023

Your most recent exhibition featured inverted landscapes. What motivated this creative decision?

I'm largely influenced by contemporary magic realist literature and authors like Haruki Murakami. This poetic way of creating worlds that resemble our own but are slightly awry – and using this to step outside ourselves and re-examine the way things are. This genre also emphasises the voices of minority groups, so inverting landscapes also provides a different perspective to question dominant narratives and the societal structures we take as given.

Interview with Dom Carter

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Radio Interviews

Gippsland Gallery

Listen to this 15-minute interview with Curator, Erin Mathews, about Kevin’s 2020 John Leslie Prize entry. He discusses how issues of structural inequality influenced the development of ‘Another Rung.’

ABC Great Southern Radio

Hit Play on the above video to hear this 4-min interview with Andrew Collins, 3 Jan 2019. Kevin discusses ‘Sheltered,’ the painting that won the Albany Prize, and his time on studio residency at the Vancouver Arts Centre WA.

KHOL-FM radio USA

While on studio residency at Teton Art Lab in Jackson Hole USA, Kevin was interviewed by Brennan Hussey on 89.1 KHOL-FM Jackson Hole radio, 20 Sep 2017.

Artist Profile Oct 2021

‘..So many of the places in Chin’s work are pictured on the verge of becoming non-places: repetitious, non-specific, characterised only by their partaking of a global network of capital that leaves a legacy of homogenisation in its wake wherever it reaches. The paintings also feel, to me, to be “about” what happens in the space between these things of the world, and the kind of feeling and thinking about this space that painting itself opens up. Space in these pictures, like place, also unfurls into something self-confounding...'

Erin McFadyen

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